Musikalische Opfer

Thanks for you all! Closed to sadness.

2012-01-23T09:02:00.004-02:00

NEWS in COMMENTS

Baroque Bohemia

2012-01-23T09:00:00.002-02:00

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G.F.Händel - Giustino

2012-01-22T10:15:00.005-02:00

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J.S.Bach - Goldberg Variations

2012-01-21T11:31:00.001-02:00

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Homage to Gustav Leonhardt "Great Master" !

2012-01-21T11:30:00.001-02:00

30 May 1928 - 16 January 2012

Requiescat in pace!

2011-12-25T01:00:00.006-02:00

J.S.Bach - Christmas Oratorio

2011-12-24T11:32:00.002-02:00

“Where there is devotion to the music, God is always for close with his generous presence.” [Johann Sebastian Bach]

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Agnolo Bronzino - 1539 - Adoration of the Shepherds

2011-12-24T11:31:00.001-02:00

Italian Painter

Tannenbaum

2011-12-24T11:30:00.001-02:00

G. Ph.Telemann - Machet die Tore weit

2011-12-23T11:32:00.001-02:00

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G. Ph.Telemann - Machet die Tore weit

2011-12-23T11:31:00.001-02:00

Hans Burgkmair - 1473 - Holy Family

2011-12-23T11:30:00.001-02:00

German Painter

Marc-Antoine Charpentier - In Nativitatem

2011-12-22T11:32:00.003-02:00

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Hark! The Herald Angels Sing

2011-12-22T11:31:00.001-02:00

Ortolano - Giovanni Battista Benvenuto - 1520 - Holy Family

2011-12-22T11:30:00.002-02:00

Italian Painter

G.P.Telemann - Christmas Cantatas

2011-12-21T11:32:00.002-02:00

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Andrea del Sarto - Madonna and Child

2011-12-21T11:31:00.001-02:00

Italian Painter

21 Christmas Songs and Carols for Solo Guitar

2011-12-21T11:30:00.001-02:00

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Notre Dame - Mass for Christmas Day

2011-12-20T11:32:00.002-02:00

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Cornelis de Baellieur - 1607 - Virgin and Child

2011-12-20T11:31:00.001-02:00

Flemish Painter

Merry Christmas Songbook - PDF

2011-12-20T11:30:00.004-02:00

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Musics: Tannenbaum, Silent Night, Holy Night, Hark,the Herald Angels Sing, Joy to the World and much more... Enjoy it!

Christmas in the Middle Ages

2011-12-19T12:01:00.001-02:00

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Duccio di Buoninsegna - 1308 - Maestà

2011-12-19T12:00:00.001-02:00

Italian Painter

Johann Mattheson - Christmas Oratorio

2011-12-18T11:31:00.001-02:00

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Giovanni Battista Cima da Conegliano - 1459 - Madonna and the Child

2011-12-18T11:30:00.001-02:00

Italian Painter

G.F.Händel - Acis & Galatea - Theodora - Agrippina - Armida

2011-12-16T11:30:00.001-02:00

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German Baroque Cantatas - Vol.10

2011-12-15T11:30:00.002-02:00

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Last Volume
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The Concert Français - Lambert - Philidor - Stuck - Bernier

2011-12-13T12:41:00.004-02:00

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Robin Hood Music

2011-12-11T11:01:00.002-02:00

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Robin Hood

2011-12-11T11:00:00.003-02:00

Robin Hood was a heroic outlaw in English folklore. A highly skilled archer and swordsman, he is known for "robbing from the rich and giving to the poor", assisted by a group of fellow outlaws known as his "Merry Men". Traditionally, Robin Hood and his men are depicted wearing Lincoln green clothes. The origin of the legend is claimed by some to have stemmed from actual outlaws, or from ballads or tales of outlaws.
Robin Hood became a popular folk figure in the medieval period continuing through to modern literature, films and television. In the earliest sources, Robin Hood is a yeoman, but he was often later portrayed as an aristocrat wrongfully dispossessed of his lands and made into an outlaw by an unscrupulous sheriff. In popular culture, Robin Hood and his band of Merry Men are usually portrayed as living in Sherwood Forest, in Nottinghamshire, where much of the action in the early ballads takes place. So does the very first recorded Robin Hood rhyme, four lines from the early 15th century, beginning: "Robyn hode in scherewode stod." However, the overall picture from the surviving early ballads and other early references suggest that Robin Hood may have been based in the Barnsdale area of what is now South Yorkshire (which borders Nottinghamshire).
Thomas Gale, Dean of York (c. 1635–1702),[35] but this comes nearly four hundred years after the events it describes:[Robin Hood's] death is stated by Ritson to have taken place on the 18th of November, 1247, about the 87th year of his age; but according to the following inscription found among the papers of the Dean of York...the death occurred a month later. In this inscription, which bears evidence of high antiquity, Robin Hood is described as Earl of Huntington - his claim to which title has been as hotly contested as any disputed peerage upon record.

Hear undernead dis laitl stean
Lais Robert Earl of Huntingun
Near arcir der as hie sa geud
An pipl kauld im Robin Heud
Sic utlaws as hi an is men
Vil England nivr si agen.
Obiit 24 Kal Dekembris 1247

This inscription also appears on a grave in the grounds of Kirklees Priory near Kirklees Hall.Robert is largely fictional by this time. The Gale note is inaccurate. The medieval texts do not refer to him directly, but mediate their allusions through a body of accounts and reports: for Langland, Robin exists principally in "rimes", for Bower, "comedies and tragedies", while for Wyntoun he is "commendyd gude". Even in a legal context, where one would expect to find verifiable references to Robert, he is primarily a symbol, a generalised outlaw-figure rather than an individual. Consequently, in the medieval period itself, Robin Hood already belongs more to literature than to history. In fact, in an anonymous song called Woman of c. 1412, he is treated in precisely this manner - as a joke, a figure that the audience will instantly recognise as imaginary:

He that made this songe full good,
Came of the northe and the sothern blode,
And somewhat kyne to Robert Hoad.

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Troubadours

2011-12-07T11:31:00.002-02:00

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Summa Musice - A Thirteenth-Century manual for Singers - PDF

2011-12-07T11:30:00.001-02:00

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Guillaume Dufay - A Complete Nuptial Mass

2011-12-06T10:31:00.001-02:00

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Guillaume Dufay - Score

2011-12-06T10:30:00.001-02:00

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J.S.Bach - Early Cantatas

2011-12-04T12:00:00.001-02:00

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Essential Baroque

2011-12-03T11:30:00.003-02:00

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Thomas Tallis - Spem in Alium

2011-12-02T11:31:00.001-02:00

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Thomas Tallis and his Music in Victorian England - PDF

2011-12-02T11:30:00.001-02:00

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Concerto for 4 Violins

2011-11-30T11:50:00.002-02:00

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Orlando di Lasso - Prophetiae Sibyllarum

2011-11-27T16:22:00.002-02:00

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Orlando di Lasso - Studies - PDF

2011-11-27T16:20:00.001-02:00

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Homage to Montserrat Figueras

2011-11-26T12:51:00.009-02:00

Barcelona, 15 March 1942 - 23 November 2011 ( Catalan Soprano )
Today all of the homages are addressed to Montserrat Figueras.This sublime and angelical voice that she gave us so much knowledge the Early Music. Her work, dedication was a great incentive so that we could know beautiful voice and interpretations in Early Music. We lost a big one interpreter, but God won one of the best sopranos to sing in his choir. Be blessed always.May she rest in peace (Requiescat in pace)!

A homage of Musikalische Opfer.

Homenatge al Misteri d`Elx

2011-11-26T12:47:00.004-02:00

"...clamavi a te, Domine" Sl-130

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J.S.Bach - Complete Lute Works

2011-11-26T11:31:00.001-02:00

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J.S.Bach - Lute Suites for Guitar - PDF Score

2011-11-26T11:30:00.004-02:00

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Antoine Busnois - Petrus de Domarto -Jean Pullois - Missa

2011-11-25T11:00:00.001-02:00

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Johann Friedrich Fasch - Orchestral Music

2011-11-24T13:18:00.001-02:00

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Constantinople - Li Tans Nouveaus

2011-11-22T11:26:00.002-02:00

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Dietrich Buxtehude - Sonatas

2011-11-20T12:00:00.002-02:00

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J.B.Lully - Bellérophon

2011-11-19T11:30:00.001-02:00

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G.F.Händel - Messiah

2011-11-18T11:24:00.001-02:00

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Getting a Handle on Messiah - PDF

2011-11-18T11:22:00.001-02:00

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Russian Church Music

2011-11-16T11:15:00.001-02:00

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Batalla de Alarcos - Crusading Songs and other songs by Occitan troubadours for Alfonso VIII of Castile.

2011-11-15T10:31:00.001-02:00

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Battle of Alarcos

2011-11-15T10:30:00.001-02:00

Gustave Doré, illustrator

Battle of Alarcos (July 18, 1195),was a battle between an alliance of Almohads led by Abu Yusuf Ya'qub al-Mansur and some Castilian cavalry led by Pedro Fernández de Castro against King Alfonso VIII of Castile.
In 1188 the Almohad caliph Abu Yusuf Ya'qub al-Mansur returned from Africa to defend his European possessions against the Portuguese and Castilians.
In 1190 Yusuf Ya'qub al-Mansur forced an armistice on the Christian kings of Castile and León, after repulsing their attacks on Muslim territories in the Iberian Peninsula. At the expiration of the truce, and having received news that a revolt was underway in North Africa, King Alfonso VIII of Castile decided to attack the region of Seville. A strong host under the archbishop of Toledo Martín López de Pisuerga), which included the military Order of Calatrava, ransacked the province. The governors of al-Andalus petitioned so strongly for help that Yaqub al-Mansur decided to leave his North African capital, Marrakech, and led an expedition against the Christians.
On the first day of June, 1195, he landed at Tarifa. Passing through the province of Seville, the main Almohad army reached Córdoba on June 30, reinforced by the few troops raised by the local governors and by a Christian cavalry contingent under Pedro Fernández de Castro, who held a personal feud against the Castilian king. On July 4 Ya'qub moved out of Córdoba; his army crossed the pass of Muradal (Despeñaperros) and advanced through the plain of Salvatierra. A cavalry detachment of the Order of Calatrava, plus some knights from nearby castles, tried to gather news about the Almohad strength and its heading; they were surrounded by Muslim scouts and almost exterminated, but supplied enough information to seriously alarm the Castilian king.
Alfonso hurriedly gathered his forces at Toledo and marched down to Alarcos (al-Arak, in Arabic), near the Guadiana river, a place which marked the Southern limit of his kingdom and where a fortress was under construction. He was determined to bar the enemy access to the rich Tagus valley, and in his haste he did not wait for the reinforcements the Kings Alfonso IX of León and Sancho of Navarra were sending. When on July 16 the great Almohad host came in view, Alfonso found himself clearly outnumbered, but even so he rashly formed his army next day, offering battle, instead of retreating towards Talavera, which the Leonese troops had already reached, and which was but a few marching days away. Abu Yusuf Ya'qub al-Mansur did not accept battle on this day, preferring to give rest to his forces; but early next day, Wednesday, July 18, the Almohad army formed for battle around a small hill called La Cabeza, two bow-shots from Alarcos.

Estevão de Brito - Officium Defunctorum

2011-11-14T10:30:00.004-02:00

Estêvão de Brito (Serpa, c. 1570 – Málaga, 1641) was a Portuguese composer of polyphony.
Estêvão de Brito was born in Serpa, Portugal. He studied music at the Cathedral of Évora with Filipe de Magalhães. On January 1597 he was already mestre de capela of the Cathedral of Badajoz (Spain), where he stayed until 1613. In that year, he went to the cathedral of Málaga and succeeded Francisco Vásquez bearing the same office as Cristóbal de Morales, precisely 50 years before. He stayed in Málaga until his death in 1641.
Church Music: The church music of de Brito represents a particularly late flowering of the Renaissance, tempered by Baroque innovations. His setting of the Lamentations of Jeremiah, from the Holy Week liturgy, is characteristic of his style.
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G.F.Händel - Arias for Montagnana

2011-11-13T10:31:00.002-02:00

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Historical Dictionary of Choral Music - PDF

2011-11-13T10:30:00.001-02:00

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Annua Gaudia - A Musica do Caminho de Santiago

2011-11-09T13:05:00.002-02:00

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Thomas Linley - The younger - Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare

2011-11-08T12:00:00.003-02:00

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J.S.Bach - French Suites

2011-11-06T12:01:00.001-02:00

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A Guide to Playing the Baroque Guitar - PDF

2011-11-06T12:00:00.001-02:00

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Antonio Vivaldi - 3 Concertos & 3 Sonates pour Violoncelle

2011-11-05T11:22:00.001-02:00

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Johann Christian Bach - La Clemenza di Scipione

2011-11-04T11:15:00.001-02:00

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Entremeses del Siglo de Oro - Lope de Vega y su tiempo

2011-11-03T11:05:00.002-02:00

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Manuel Cardoso - Miserere Mihi Domine

2011-10-31T11:05:00.001-02:00

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Minnesänger & Meistersinger - Lieder um Konrad von Würzburg

2011-10-29T12:04:00.002-02:00

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Athanasius Kircher - Musurgia universalis - 1650

2011-10-29T12:03:00.001-02:00

The title page is a compendium of philosophical conceptions linked to the theme of the harmony of the universe. Kircher adds acoustical physics and heavenly music to mundane, human and instrumental music. In one of the illustrations in the work, Kircher portrays the universe as an organ.
Athanasius Kircher was a German Jesuit scholar who published around 40 works on a wide variety of subjects including Egyptology, geology, music theory, oriental studies, geology and medicine. Sometimes referred to as "the last Renaissance man" the wide range of Kircher’s interests typifies an era predating the strict boundaries maintained between different disciplines today. In particular, Kircher is noted for being ahead of his time in proposing that the plague was caused by an infectious microorganism and in suggesting effective measures to prevent the spread of the disease.
In his musical encyclopedia Musurgia Universalis (1650) Kircher produced not only one of the most important musical texts of the 17 th century, but a testament to wider philosophies indicative of how the world was understood in his day. Not a musician himself, Kircher held the essentially medieval view that the cosmos was revealed in musical ratios and that musical harmony mirrored God’s harmony. In this approach Kircher drew upon scholasticism of ancients such as Pythagoras albeit in accordance with Catholic orthodoxy. In Musurgia Universalis Kircher’s learning is conveyed with the assistance of a sophisticated utilisation of diagrams, tables, allegorical engravings and other visual material. In Reading’s copy a number of the illustrations have been coloured by a former owner.
In this frontispiece Kircher presents a cosmic scheme embodying Catholic doctrine and revealing his philosophical standpoint. The triangle at the top represents the Trinity. It is surrounded by nine choirs of angels, each choir singing in four parts. Together they are singing a complex canon (or part song) in a total of 36 parts (shown in more detail later in this work). It was thought that through the art of singing in parts (known as polyphony) man had imitated cosmic harmony. Such polyphony manifested the relationships between the six planetary ratios and the six basic intervals in music. In the bottom left hand corner of the page sits Pythagoras, who according to legend discovered the secret of the mathematical basis of harmony after comparing the pitches made by hammers on a blacksmith’s forge (see bottom centre). This same secret was believed to underpin the very workings of the entire Universe.

The Harmony of the Spheres

2011-10-29T12:01:00.001-02:00

Studio of Jan Bruegel the Elder

2011-10-29T12:00:00.002-02:00

Interior of a gallery containing mathematical and astronomical instruments, diagrams illustrating the main cosmic systems and books by Johannes Kepler. This picture shows the high profile that astronomy had achieved in art and mirabilia collections.
Linder Gallery Interior, ca. 1622-1629
New York, Private collection

Flemish Painter

G.P.Telemann - Music for Oboe

2011-10-28T11:00:00.001-02:00

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G.P.Palestrina & Cipriano de Rore - Missae

2011-10-26T11:00:00.002-02:00

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Johann Pachelbel - Hexachordum Apollinis

2011-10-25T11:00:00.005-02:00

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J.S.Bach - Goldberg Variations

2011-10-23T14:00:00.002-02:00

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Carmina Burana - 1300

2011-10-22T12:02:00.002-02:00

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Early Music - A very short introduction - pdf

2011-10-22T12:00:00.002-02:00

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French Baroque Cantatas - vol.1

2011-10-21T11:01:00.001-02:00

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Musical Studies - PDF

2011-10-21T11:00:00.001-02:00

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G.F.Händel - Joshua

2011-10-20T11:00:00.001-02:00

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Alessandro, Domenico and Francesco Scarlatti - Cantatas and Sonatas

2011-10-19T11:00:00.002-02:00

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Lope de Vega - Música Antiga da UFF

2011-10-18T11:33:00.005-02:00

The Early Music of UFF comes, since 1981, accomplishing their objective of rescue and to not just transmit the music, but the own vision of world of the Middle Age and Renaissance. To publish this repertoire in a more approximate way to the resonant ideal of the time, their members work in the available bibliographical research at the present time, coming with replicas of the instruments used in those periods. Brazilian Group.Congratulations! very nice!!

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Música Antiga da UFF - A la Una

2011-10-18T11:29:00.001-02:00

J.D.Zelenka - Missa Sanctissimae Trinitatis

2011-10-16T12:20:00.001-02:00

Happy Birthday! Jan Dismas Zelenka, 16 October 1679

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J.S.Bach - Toccata & Fuge

2011-10-15T11:22:00.001-03:00

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G.F.Händel - Jephtha

2011-10-14T11:00:00.001-03:00

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G.F.Händel - Belshazzar

2011-10-13T11:32:00.001-03:00

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Silvius Leopold Weiss - Overture & Suites

2011-10-12T11:22:00.001-03:00

Happy Birthday!

Silvius Leopold Weiss (12 October 1687 – 16 October 1750) was a German composer and lutenist.

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Happy Birthday!! Heinrich Schütz (October 8,1585)

2011-10-08T11:31:00.001-03:00

was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century along with Claudio Monteverdi. He wrote what is thought to be the first German opera, Dafne, performed at Torgau in 1627, of which the music has since been lost. He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on July 28 with Johann Sebastian Bach and George Frideric Handel. He was buried in the Dresden Frauenkirche but his tomb has been destroyed.
Schütz's compositions show the influence of his teacher Gabrieli (displayed most notably with Schütz's use of resplendent polychoral and concertato styles) and of Monteverdi. Additionally, the influence of the Netherlandish composers of the 16th century is prominent in his work. His best known works are in the field of sacred music, ranging from solo voice with instrumental accompaniment to a cappella choral music. Representative works include his three books of Symphoniae sacrae, the Psalms of David (Psalmen Davids), the Sieben Worte Jesu Christi am Kreuz (the Seven Last Words on the Cross) and his three Passion settings.

Heinrich Schütz - Kleine geistliche Konzerte

2011-10-08T11:30:00.001-03:00

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C.P.E.Bach - Die Israeliten in der Wüste

2011-10-07T11:20:00.001-03:00

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Tintoretto (Jacopo Comin) The Jews in Desert - 1593

2011-10-07T11:19:00.001-03:00

Italian Painter

Terres Turquoises - Constantinople

2011-10-06T11:15:00.001-03:00

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Codex Chantilly - Airs de Cour

2011-10-05T10:56:00.001-03:00

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Limbourg Brothers - May

2011-10-05T10:55:00.001-03:00

"C'est le mai, c'est le mai, c'est le joli mois de mai!"("It's May, it's May, the beautiful month of May!") As the song of old went, so the figures of this merry pageant seem to be saying to one another. On the first of May, following a tradition derived hom the floralia of antiquity, young men used to make a light-hearted jaunt through the country and bring back branches. On that day one had to wear green at the risk of being ridiculed. This is the origin of the expression "Je vous prends sans vert" ("I've caught you napping"). In his youth the Duc de Berry liked to take part in this festivity, and at court the King would distribute garments made of cloth vert gai in color and known as livrée de mai.
This garb is worn by the three girls riding horses caparisoned in a refined soft green, a color obtained from the crushed crystalline stone, malachite. The sumptuous dress lined with blue and ornamented with gold flowerwork identifies the girls as princesses. One, wearing a white headdress decorated with green leaves, dominates the middle of the scene.
Turning to contemplate her is a rider dressed half in red, half in black and white, the royal livery of France at that time; he is probably a prince of the blood. At the girl's left rides a man dressed in a rich blue brocaded coat strewn with golden flowers: could it be the Duc de Berry?
In front, musicians lead the gay group of amiable riders to the sound of their trumpet, flute, and trombone. They are accompanied by the Duke's small dogs which frisk about the horse's hoofs. Roofs, towers, and the tops of tall buildings appear behind the wooded background. The architecture at time has been identified as the Château de Riom, capital of Auvergne and part of the Duke's appanage; however, it bears little resemblance to old representations of this château. On the contrary, it is undoubtedly similar to the Palais de la Cité in Paris (included in the month of June). Such precise details as the gables, chimneys, battlements, and weathervanes obviously form the roofs of the Palais.On the left, the square tower with a bartizan would be the Châtelet on the right bank of the Seine. Then, after a gap and behind the turret of a corner building, are the top of a corner tower, the two towers of the Conciergerie, and the Tour de L'Horloge, all four of which still exist on the Ile de la Cité. Farther on stand the twin towers of the Grand Salle of the Parlement, and at the extreme right the Tour Montgomery, seen from the rear. Therefore this pretty scene must have been set in the woods bordering the rue du Pré-aux-Clercs, near what is now the rue de Bellechasse.

Dutch Painters